Reviewed by Natalie Shaw
There's a trap with Noel Coward. It's one that I've seen many people fall into when performing a Noel Coward piece-- Realism. Realism to the degree of missing the point of a Noel Coward play. (And, missing the point of Realism, as well.) Although Realism was already established while Coward was writing and producing plays, it is not the genre under which his comedies are written. If you're wondering what Realism is, it's just that-- Real-- a more natural, no-frills approach to theatre that mimics our daily lives. It speaks to us because it's familiar, and for many dramatic literatures, it works well. But, I've never understood taking a Noel Coward piece and deflating it to Realism. I suppose, to some artists, it's a safe choice, but ill-educated nonetheless. His writing and stage directions are rich with flavor and pizazz, giving us room to explore and experiment! You need only look! This is what Richardson Theater Center's Director Janette Oswald was able to see and apply. Ms. Oswald was inspired to furnish over-the-top hilarity accomplished through vivid characterization, rhythms and fluency of movement, and a tightened energy that gives a polished product in this Spring's production of Present Laughter.
The play takes place in the studio of the main character, Gary Essendine, who is a successful Theatre Actor. He is charming, clever and very sure of himself. Robert San Juan plays a suave and sensual Gary Essendine with an intensity for passion and a luster for life, while others wait on him hand and foot. These attendants include his sassy secretary Monica Reed (played by Kim Winnubst,) his spiritless maid Miss Erikson (played by Rhonda Triana) and his upbeat butler Fred (played by Anthony Magee, and alternating cast member Nathanael Coe.) Alongside these assistants, there are also some lovely admirers of the star, including his pleasant wife, Liz Essendine (played by Leigh Wyatt Moore), a young and naive Daphne Stillington (played by Shea McMillian,) with her animated Aunt Lady Saltburn (played by Carol M. Rice,) a provocative Joanna Lyppiatt (played by Katie Macune) and a not-so-lovely, but very unsettling Roland Maule (played by Joel Hashop.). Lastly, his career advisors, Hugo Lyppiatt (played by Brian Hoffman) and Morris Dixon (played by Eddy Herring,) who pop in to discuss business matters are among the ever-rotating group of visitors. This circus of characters maneuver in and out of Gary's studio, as disorder rings on the telephone or knocks at the door all throughout the story. Meanwhile, our melodramatic protagonist moans about wanting peace and quiet, but lacks any serious ambition to instill it into his space, mostly because he craves the attention and being adored.
Throughout the performance, the actors engage in widespread energy, giving and taking as they enter and exit, always adding a new dynamic to the storyline and contributing to the awkward tension of the moment. The audience response is one of laughter, shock, and amusing uneasiness as each scene swells with intensity and embarrassment for the characters involved. The calm within the brewing storm is our beloved Liz Essendine. Liz is Gary's sounding board and voice of reason. Although, wise enough to leave the insane atmosphere that is Gary's life, she makes regular appearances to show her continued love and support to her not-yet ex-husband. Leigh Wyatt Moore, implements a compelling and compassionate Liz through poised grace and elegance, contrasting the grandiose exaggerated movements of her counterpart. To the other extreme, character Joana Lyppiate is an alluring seductress who seeks power over her victims, including Gary, who is usually too savvy to lose at his own game. Katie Macune's portrayal of Joanna is thoughtful and sharp, not unlike Eve's serpent in the Garden of Eden. Perhaps the true victim to all of the goings on in this play, is the oblivious Lady Saltburn, who merely does her duty as the aunt to her niece, Daphne, by obtaining an audition with the famous Gary Essendine. Played by the remarkable Carol M. Rice, the poor Lady Saltburn walks into the scene, as an innocent bystander, representing the prestigious rank that Gary would one day hope to accomplish. Carol M. Rice puts her own spin on the humor behind Lady Saltburn by use of pursed-lipped facial expressions and petite mannerisms, all while donning an explosion of fluffed hair under a fashionable hat. By honoring the elements of each moment, Mrs. Rice allows the audience to see the absurdity of this situation through the eyes of the innocent.
In addition, to the performers, the sound design (done by Richard Stephens Sr.) and lighting design (done by Chris Berthelot) are tightly run by Sound/Light operator, Robert Sims without a hitch, which is no small matter in this busy play! Set designer, Eddy Herring provides us with a beautiful Popular Modern set, constructed by Kyle Chinn, all of which is a glorious spectacle, and practical in function. Costumes with flowing fabrics, ruffled feathers and sensual satin, all done by Audie Preston add even more to the glamour and spice!
RTC's production of Present Laughter is exciting, full of energy and bellows of laughter! If you haven't experienced the captivating atmosphere, genuine hospitality, delectable treats and festive friends of Richardson Theatre Centre, you're missing more than just an amazing performance. There is seriously no place like it! Come and be among great friends for Present Laughter, open now until April 10th at 518 W. Arapaho R. Ste 113. Call and make reservations at 972-699-1130 or online at richardsontheatrecentre.net This play is best suitable for ages 14 and up, accessible seating available, might not be suitable for sensory-sensitive audience members.
Y'all Enjoy!
Natalie Shaw
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