Naturally, as a young girl, I was mesmerized by the Disney animated film, Anastasia. Mostly because, like most little girls, I was fascinated to think that I too could be a long, lost princess. I knew nothing of the true story until a bit later, and I was devastated, as if the tragedy had just occurred. Director Mallory Roelke, explains the essence of the story excellently well in the production's playbill, "At its heart, Anastasia is about a family torn apart, a nation in upheaval, and a world clinging to hope." After tragedy strikes, hope is what gives you the courage to get back up and take life one step at a time, until you see yourself on the other side of it. In our dreams, is where we find this hope.
I would not forgive myself if I revealed too much about the story line, especially if you're unfamiliar, but I will give you a quick glimpse. Romanov couple, Tsar Nicolas II (played here by Kyle Morris) andd Tsarina Alexandra (Mary Stulsas) ruled Imperial Russia until 1918, when they, along with every member of their family, were murdered by the Bolshevik's after the Revolution. After this tragedy took place, rumors began to spread that their young daughter, Anastasia, had survived and that her grandmother, Dowager Empress (Noel Edmonson) was searching for her from her home in Paris. In this retelling of the legend of Anastasia, young Anya (Bella McKay) is discovered by con men Vlad (Tim Bass) and Dmitry (Mason Michael Steele) who coach Anya in all things regal and Romanov in an effort to present her to the Dowager. Consequently, however, Anya begins to remember her past (which had previously left her shortly following the tragedy) putting pieces together from her dreams and mementos.
Fact and fable are equally honored, in GPAC's production of Anastasia. I greatly appreciate that this script looks at the fantastical idea of Anastasia's survival from a more historically accurate perspective, and GPAC's approach to this sensitive material is very well done and in good taste, still keeping the production at a "PG" rating. As a united performance, each element has come together seamlessly. The splendor of this production, through the work of this extraordinary ensemble, is hair raising, whether through gorgeously resonating choral numbers, or through magnificent dance routines. The elegant and graceful dancing (designed by Whitney Morris, Jorilyn Tasker and Jay Tasker ) is put to incredible use in the beautiful moments in which Anastasia, as well as other notable characters are recollecting their past.
Set design by Matt Betz and Projections designed by Director Roelke excellently set the stage and tone, while exquisitely lush costumes, full of bright colors, textures and patterns are a feast for the eyes. Fight Choreography by Carlo Acyetuno adds extra shock to the already dramatic, while Intimacy Coordination by Jorilyn Tasker provides us with the romantic and sometimes comical relief. Music Director Patricia Bedford keeps the musical pace expertly timed, and Director Roelke, much to her accomplishment keeps a excellent driven momentum moving from start to finish.
With only one more production of Anastasia, you want to book those last minute seats as fast as possible. There are, quite literally, only a few seats left! Grab your ticket now at www.artsgp.org
Enjoy the show!
Natalie Shaw
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