Review: Melodrama CAPTAIN BLOOD is "Rollicking" Good Fun at Pocket Sandwich Theatre

 

Captain Blood, The Pirate Melodrama 
By Joe Dickinson
Directed by Nick Haley
Produced by Pocket Sandwich Theatre


Reviewed by David Ellivloc

 Shiver me timbers!  Captain Blood, The Pirate Melodrama! at the Pocket Sandwich Theatre is rollicking wholesome fun!  The Pocket’s location in historic downtown Carrollton is a warm and welcoming venue with plenty of easy and free parking around the square or under the freeway in the back of the theater (great protection in case there’s one of those North Texas hailstorms).  The Pocket has booths, tables, and seats racked along seemingly endless bar-like surfaces, good seats all, upon all of which happy, friendly, and eager wait staff, will set tasty food and beverages, both adult and otherwise, including lovely pitchers of beer should you be so inclined (I was!).

Going to the Pocket Sandwich Theatre is an event, not merely an evening of theater and, as you might expect given the place’s name, the sandwiches are great (I had the tasty Reuben this time ... and my friend’s salad was delicious as well, not that I was offered a nibble before it disappeared).  Note that you are not required to buy food or drink.  However, if one comes early, say between 6:30 pm to 7:15 pm (earlier as better) as we did, then you can have a genuinely enjoyable conversation before the show, given you come with the right peeps, as well as good eats and drinks.

Never been to a melodrama?  No worries as the handsome and charming David ‘Kiwi’ Keller, who plays Sam Sculler along with other characters in the show, will explain it all for you before the performance starts.  At the Pocket, you get to boo the villains, cheer the heroes, and get mushy with “aaaaahs” for those tender moments.  There are even musical cues to indicate when it’s time for a boo, a huzzah, or an aaaah, provided by the fabulous Piano Player Timothy Flippo, whose underscoring throughout the show adds to the ambience.  And, at a melodrama, you get to throw the popcorn all ‘round.  The first basket of popcorn, per couple, is free, with additional popcorn available for purchase at a nominal charge.  Keller even explains the rules for popcorn tossing.

Kicking off the performance is the cast, parading through the theatre, as they and the audience sing two piratical ditties.  The lyrics are printed in the show program, so you’ll be able to sing along, especially since most folks are familiar with the two songs.  Did I mention this is an excellent time to begin pelting the actors and each other with popcorn?

Our titular villain, Captain Bartholomew Blood, is played by the handsome Matthew Edwards who can buckle his swash with the best of them.  With tongue planted firmly in cheek Edwards glides across the stage with the elegance of a dancer coupled with the fierceness of a blood thirsty pirate.  Edwards’ interplay with the audience is very funny, as is his interplay with the other actors, and he gleefully earns his boos with genuine villainy.  His right-hand man, Clandester Hardbore, is played with explosions of volcano like violence by Patrick Douglas.  The best bumbling pirates of all-time are surely Lauren Ashley Hearn’s Jamaica Rummson and D. Aidan Wright’s Perdition Wagstaff.  These two play off each other so well and are truly at sea in every sense of the phrase.  Bess Cutter, as played by Ariana Stephens, is a lusty and luscious pirate wench with a tender heart, and it’s compelling as she struggles to find true love.  Meanwhile, happy to find love often and anywhere, even if it isn’t true, is Abigail Woodfork, played with a gleeful daffiness by Isabell Moon that is quite engaging, and delights the audience as the girl who just can’t say no.  Sarah Perkin’s Floradell Ragend may not sail the seven seas, but she does sail under both the Union Jack and the pirate flag.  Perkin’s throws herself into the character starting with the most ridiculous makeup, which hides her alluring visage under a sort of Restoration meets Raggedy Ann makeup design.  Her comic talents are on full display here, as they were in Pocket’s recent How The Other Half Loves.  Shauna Holloway also plays both sides of the flag as the vile Patty Waxend, displaying some excellent physical comedy while hilariously chewing the pirate scenery.

Salvador Elias is our young hero Jack Sculler, played with an earnest conviction and sense of urgency as he strives to foil Blood.  His partner in heroics is Benjamin Muscanere’s Harry Halyard, who is great fun to watch as he eagerly runs headlong into trouble and the occasional sword.   David ‘Kiwi’ Keller plays Jack’s father, Sam Sculler, and his concern for his son’s safety is moving.  Keller, a versatile performer, next pops up as the ugliest pirate ever and then finally appears as the sort of pirate who might grace the cover of a trashy pirate romance.   Jennifer Nachazel’s Lorna Meadowsong is prettily played and her love for young Jack is palpable.  Keep your eyes peeled for Will Frederick’s manically mercurial Oliver Sourjohn, who may be the true hero of this story.

Rounding out this surfeit of sailors are the excellent actors Melakeh Brooks as Dorcas Welborn/Patience Clapsaddle, Timothy Charles Jones as Captain Matthew Cross, Chuck E. Moore as Admiral Benjamin Prow, Chris Rodgers as Will Wallit, and Jared Seman as Sir Roland Ragend.  Each adds a great deal of fun and frolic to the proceedings.

Robert Clark’s Set Design is spare yet clever, with the one ship set standing in for a whole bevvy of boats, using a double-sided flag set center stage with the Union Jack on one side and the Skull and Crossbones on the other to indicate in which ship the action is taking place.  Sarah Hearn’s Costume Design adds to the seagoing atmosphere and suits each character.  Director Nick Haley has helmed a fun and engaging production that will leave you laughing, and longing for adventure.  You should be made to walk the plank if you miss this one! Stage Manager Elizabeth Loyle Carr is commended for running a very tight ship!

Audience Rating: PG-13 due to references to extramarital sex and violence.

Running Time:  Approximately two hours with two 15-minute intermissions.

Accessible seating: Available

Hearing Devices Available: Not Available

Sensory Friendly Showing: Not Available

Production Sound Level: Comfortable Volume Level

Noises and Visuals to Know About: Yelling and physical fights, including with swords and pistols. Pistol shots.

 

See you at the theater!

David Ellivloc


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